LA LUCHA (THE FIGHT)
|
THE ARCTIC-PACIFIC DIVIDE
|
CROSSING BY MOONLIGHT
|
REEL-TO-REEL
|
THE CONTAINER SHIP
|
CHECKERED PASSED (TIED)
Private Collection
|
WHAT I PAINT AND WHY
I PAINT IT
|
EL TEMOR (THE FEAR)
|
ROWING, NOT DRIFTING
(2)
|
STOPPING BY WOODS ON
A SNOWY EVENING
|
BACK OF THE YARDS
(SANDBURG'S BOY)
|
SOLILOQUY
|
LINE QUALITY
|
THE SALMON LADDER
|
THAT STORY ONLY YOU COULD
TELL
|
MAURICIO
|
xxx 
COAT
|
IOWA: THE AFFECTIONS
OF HER PEOPLE,
LIKE THE RIVERS OF HER BORDERS,
FLOW TO AN INSEPARABLE UNION
Permanent
Collection
University of Northern Iowa Gallery of Art
Cedar Falls
|
REACH 1 (PIER)
|
ON THIS DATE IN HISTORY
Private Collection
|
REACH 4 (SEAGULL)
|
TOMORROW AGAIN
|
THE TRUE CROSS (Study)
|
HIGHROAD
Permanent
Collection
Zillman Museum of Art,
University of Maine, Bangor
|
COUNTERACT
|
O CANADA
|
LANDING
|
JOKE
Private Collection
|
KEEP
(TO BE PROMISCUOUS IN THOUGHT)
|
YOUNG MAN FROM THE KO'OLAU'S
|
MAN IN MOON, MOON IN
MAN
(VAULT)
|
SUSURRO (WHISPER)
|
REACH 5 (BEER)
|
REACH 7 (PENPALS)
|
AHA
|
WHAT ARE THEY REALLY
SAYING?
|
REACH 6 (SLEEP)
|
LIST 1 (BOOK OF THE MONTH)
|
REACH 3 (BOOK)
Private Collection
|
FIRST DRAFT
|
LATEST NEWS
(IF WORDS COULD TALK)
|
GRANT WOOD SEZ TO WORLD:
COME OUT FIGHTING
|
FATHOM
Private Collection
|
WRING
|
REACH 2 (PALLET)
|
FOREVER
|
ON THE TABLE
|
THE WALL
, NOGALES
(LA PARED)
|
z 
THE OBERDICK HOUSEz
|
ALL KINDS OF THEORY
Private Collection
|
REUNION
|
UNTITLED (BEAR)
|
BACK THERE
Private Collection
|
TWAIN
|
FORT HONOLULU 2
|
I CAN THE AL-CAN
|
xxx
SWITCHBACK
|
RAINBOW
|
LIGHTS OUT
|
THIS MUST BE AMERICA
|
FORT HONOLULU 1
|
THE FROST RAILING (Study)
Private Collection
|
THE BIG HORIZON
|
POET'S HOLIDAY
|
FORT HONOLULU 4 (Bull)
|
FORT HONOLULU 3
|
THE BOY FROM MOOSE JAW
ARRIVES AT WAIKIKI
|
RETURN_AL
|
|
THE BOXER SONATA
(A Choreographic Proposal)
|
LAKE EFFECT
|
EL RIO
Private Collection
|
HIGH PLANES PLAINS
|
MOM
Permanent
Collection, 21C Museum
Louisville, KY
|
CASCADE (PENMANSHIP)
|
MI TIERRA
(Self Portrait as Jared) xxx
|
D-ICE
(DOUBLE SELF-PORTRAIT)
|
FLOOR TO CEILING
|
DO YOUR BEST
|
YOU MAY BEGIN YOUR
ANSWERS HERE
|
ONE IF BY LAND, TWO
IF BY SEA (SAFE)
|
HOMECOMING
|
INTERMISSION
(THE LOST WAX AND FOUND)
|
EDITOR'S LETT_R
|
L--IF--E
|
TRANSFER
|
JOIN
|
THUS DID WE BUILD OUR
SUMMER
|
AND HERE WE ARE
|
TEST
|
POOL (HONOLULU)
|
THANK YOU FOR YOUR
THOUSAND WORDS
|
THE LANDSCAPE AS FEMALE
|
OPEN SEASON
|
xx
CHASM
|
WE'VE COME TO TAKE YOU
HOME
|
SHORE
Permanent
Collection, 21C Museum
Louisville, KY
|
THE GOOD FIGHT (2)
|
KIRK (THIS ONE)
|
SLAPSHOT (EVERY SUNSET)
|
 |
| CHRISTINA'S
WORLD (THE DAY I MET ANDREW WYETH) (#1460) |
| CLICK ON
IMAGE FOR TEXT: |
|
WE PAUSE FOR AUTOBIOGRAPHY
xxx
|
PAUL BUNYAN:
BESTING THE MYTH
|
UNTITLED #1526 (in progress) |
OUT ON A LIMB
|
REARVIEW |
NESSUN DORMA
|
EL MUNDO PEQUENO
Private Collection
|
re:COVER
|
|
BOB HOWE WANTED TO PAINT
STORIES
(FOR ROBERT CHARLES HOWE, 1954-2002)
|
THE PASSING OF THE WEST
|
AND TO ALL A GOOD NIGHT
(MONDAY)
|
ANCHORAGE
|
YOUNG BLADES ATOP MT.
MARSDEN
(FOR MARSDEN HARTLEY)
Permanent
Collection,
Bates College Museum of Art
Lewiston, Maine
|
SAFETY GLASS
|
AND TO ALL A GOOD NIGHT
(WEDNESDAY) (DEER)
Private Collection
|
ADDING TWELVE FEET
TO KATAHDIN (Study)
Permanent
Collection,
Bates College Museum of Art
Lewiston, Maine
|
THE VETERAN IN A NEW
FIELD
|
AND TO ALL A GOOD NIGHT
(TUESDAY)
|
THE GREATER MOOSE
|
MI CASA ES SU CASA
(Study)
|
SIGN
|
KEEPER
|
zzz |
|
|
|
|
|
C O M
P A N Y (Series 2020)
|
NEWER
PAINTINGS
<<<
|
OLDER
PAINTINGS
>
> >
xx
|
PAINTINGS
2015-2016
|
