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 xxxx Paintings: 2017-2019


LA LUCHA (THE FIGHT)

 

THE ARCTIC-PACIFIC DIVIDE

CROSSING BY MOONLIGHT

 

REEL-TO-REEL

 
 

THE CONTAINER SHIP

 

 



CHECKERED PASSED (TIED)

Private Collection



WHAT I PAINT AND WHY I PAINT IT 


EL TEMOR (THE FEAR)

 

ROWING, NOT DRIFTING (2)

BACK OF THE YARDS
(SANDBURG'S BOY)

STOPPING BY WOODS ON A SNOWY EVENING

SOLILOQUY

 

LINE QUALITY

 

THE SALMON LADDER

  

THAT STORY ONLY YOU COULD TELL

MAURICIO

THE NAMES MAY CHANGE...

SOME BLUFFS ABOVE DUBUQUE

OCTOBER

REACH 1 (PIER)



ON THIS DATE IN HISTORY

Private Collection

 

REACH 4 (SEAGULL)

 

TOMORROW AGAIN

THE TRUE CROSS (Study)

 


HIGHROAD

Permanent Collection
Zillman Museum of Art,
University of Maine, Bangor

 

LANDING


IOWA: THE AFFECTIONS OF HER PEOPLE,
LIKE THE RIVERS OF HER BORDERS,
FLOW TO AN INSEPARABLE UNION

Permanent Collection
University of Northern Iowa Gallery of Art
Cedar Falls

  

COUNTERACT

 

O CANADA

 


JOKE

Private Collection

YOUNG MAN FROM THE KO'OLAU'S

AHA

 

LIST 1 (BOOK OF THE MONTH)

  

REACH 7 (PENPALS)


MAN IN MOON, MOON IN MAN
(VAULT)

SUSURRO (WHISPER)

REACH 5 (BEER)


KEEP
(TO BE PROMISCUOUS IN THOUGHT)


REACH 3 (BOOK)

Private Collection

FIRST DRAFT


 

LATEST NEWS
(IF WORDS COULD TALK)

REACH 6 (SLEEP)

WHAT ARE THEY REALLY SAYING?

 

FATHOM

 

COAT

REACH 2 (PALLET)

FOREVER

WRING

 

GRANT WOOD SEZ TO WORLD: COME OUT FIGHTING

TWAIN

LEDGER (DAY ONE)

THE WALL , NOGALES
(LA PARED)

 

THE OBERDICK HOUSE

 

ALL KINDS OF THEORY

 

REUNION


UNTITLED (BEAR)


BACK THERE

Private Collection



I CAN THE AL-CAN

SEVEN SEAS

 

RAINBOW

LIGHTS OUT

 

FORT HONOLULU 1




RETURN_AL

  

FORT HONOLULU 2

SWITCHBACK

FORT HONOLULU 4 (Bull)

 

POET'S HOLIDAY

 
 

THE BIG HORIZON

  

FORT HONOLULU 3

 

ON THE TABLE

OPEN SEASON


 

THE BOY FROM MOOSE JAW
ARRIVES AT WAIKIKI

 

CHASM

 

 

THE BOXER SONATA
(A Choreographic Proposal)

LAKE EFFECT



  

EL RIO

Private Collection

 

HIGH PLANES PLAINS


 

THE FROST RAILING (Study)

Private Collection

CASCADE (PENMANSHIP)

THIS MUST BE AMERICA


  

MI TIERRA
(Self Portrait as Jared)

 

D-ICE
(DOUBLE SELF-PORTRAIT)

FLOOR TO CEILING

xxx

 

THE LANDSCAPE AS FEMALE

 

DO YOUR BEST

 

YOU MAY BEGIN YOUR
ANSWERS HERE

 

ONE IF BY LAND, TWO
IF BY SEA (SAFE)

 

HOMECOMING


INTERMISSION
(THE LOST WAX AND FOUND)


EDITOR'S LETT_R

 

L--IF--E

TRANSFER

 


JOIN

THUS DID WE BUILD OUR SUMMER

 

MOM

Permanent Collection, 21C Museum
Louisville, KY

  

AND HERE WE ARE

 

THE BIGGER PICTURE
A.K.A. THE RIVER

 

THANK YOU FOR YOUR
THOUSAND WORDS

POOL  (HONOLULU)

 

TEST

 

CHRISTINA'S WORLD
(THE DAY I MET ANDREW WYETH)

 

SHORE

Permanent Collection, 21C Museum
Louisville, KY

THE GOOD FIGHT (2)

KIRK (THIS ONE)

 

SLAPSHOT (EVERY SUNSET)

 

WE'VE COME TO TAKE YOU HOME

 

PORTAGE

x

 

PAUL BUNYAN:
BESTING THE MYTH



UNTITLED #1526 (in progress)

 

OUT ON A LIMB


 

REARVIEW

NESSUN DORMA


EL MUNDO PEQUENO

Private Collection

 

 

re:COVER

 

BOB HOWE WANTED TO PAINT STORIES
(FOR ROBERT CHARLES HOWE, 1954-2002)

 

THE PASSING OF THE WEST


AND TO ALL A GOOD NIGHT
(MONDAY)

ANCHORAGE

 

 

YOUNG BLADES ATOP MT. MARSDEN
(FOR MARSDEN HARTLEY)

Permanent Collection,
Bates College Museum of Art
Lewiston, Maine

 

SAFETY GLASS




AND TO ALL A GOOD NIGHT
(WEDNESDAY) (DEER)

Private Collection


  

ADDING TWELVE FEET
TO KATAHDIN (Study)

Permanent Collection,
Bates College Museum of Art
Lewiston, Maine


THE VETERAN IN A NEW FIELD

 

AND TO ALL A GOOD NIGHT
(TUESDAY)

THE GREATER MOOSE


 

MI CASA ES SU CASA
(Study)


 

KEEPER

SIGN

WE PAUSE FOR AUTOBIOGRAPHY


PAINTINGS 2020-2021
Including the COMPANY Grid

 

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PAINTINGS 2015-2016

 

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