|
Jack Balas, 2024; IT WAS THE
BEST OF TIMES,
IT WAS THE WORST OF TIMES (#2588)
|
Jack Balas, 2024; AN OWL CALLING
WHO? WHO? (#2557)
|
Jack Balas, 2024; WE'VE COME
TO READ YOUR BOOKS (#2566)
|
|
THE BIGGER PICTURE (#2456.1535)
|
THIS WAY (#2407)
|
LEGION (#2387)
|
|
HOME AT LAST (KEY) (#2523, 2457.1025.897x)
|
#2261 OUR VISIT TO TOLEDO (i.e.
FRANCISCO)
|
GOOD FRIDAY, HONOLULU (#2419)
|
|
CALL FOR ENTRIES (#2362--2436)
(revi8sed 2023)
Ink, oil & enamel on canvas, 32x48 inches
|
#2260 AMAZING
|
#2249 WE BUILD THIS
|
|
# 2412 REGINALD MARSH IS DRAWING
ME
(MUSE/ MUSEUM SERIES)
|
#2365 HEADED TO MAINE
|
#2241 WHEN SO LATE BECOMES SO
EARLY
|
|
#2270 POETS WILL BE NAMED
|
#2271 EDWARD HOPPER: HOUSE BY
THE RAILROAD
|
#2263 Untitled (MAST)
|
|
HOT HOUSE (#2221)
|
#2094 Friday at 5
|
#2063 Life on the Mississippi
(BACKFLIP)
|
|
#2125 It's All Been a Self-Portrait
|
Buddy # 2141 (wolf)
|
#2123 Off To College
|
|
#2113 Right and
Left (or, Left And Right)
|
#2084 I Never Knew I Was Lost
(Until I Was Found)
|
#2109 IN(ter)DEPENDENCE DAY (In
Question July 4, 2021)
|
|
PLOT TWIST (# X-1027-2014)
|
#2158 We Are, After All, Just
Ink Drawn on Paper;
|
#2242 PINK AND BROWN
|
|
PALACE (#1877)
|
CACTUS FLOWERS (#1892)
|
GO TO FULL YEAR-BY-YEAR
PAINTING PAGES |
| From
the COMPANY Series (2020-21) . . . |
|
|
|
1895 Guy'd
|
1894 Black Yard
|
1955 Promises, Promises
|
|
1914 Harbinger (Igloo)
|
2004 Every
Word, Every Letter (2)
|
2005 Siempre
|
|
1969 Poets Will Be Named
|
1974 Study, Eakins Swimming Hole
|
z
2010 I'm Possible
|
| |
|
GO
TO FULL YEAR-BY-YEAR
PAINTING PAGES
|
| Around
2020 . . . |
|
|
|
LA PARED, NOGALES
|
BACK OF THE YARDS
(SANDBURG'S BOY)
|
LA FRONTERA (OR IS IT?)
|
|
LA LUCHA (THE FIGHT)
|
THE OBERDICK HOUSE
|
LANDING
|
|
IOWA: THE AFFECTIONS OF HER PEOPLE,
LIKE THE RIVERS OF HER BORDERS,
FLOW TO AN INSEPARABLE UNION
|
CROSSING BY MOONLIGHT
|
MAN IN MOON, MOON IN MAN
(VAULT)
|
|
REACH 1 (PIER)
|
THE DRAWING ROOM
New Drawings and Collage
|
ROY LICHTENSTEIN
(MUSE/ MUSEUM SERIES)
|
GRANT WOOD SEZ TO WORLD:
COME OUT FIGHTING
|
BACK THERE
|
CHECKERED PASSED (TIED)
|
FIRST DRAFT
|
THE WALL
, NOGALES
(LA PARED)
|
HIGHROAD
|
|
JOIN
|
MOM
|
THE FROST RAILING (Study)
|
|
D-ICE
(DOUBLE SELF-PORTRAIT)
|
THIS MUST BE AMERICA
|
LIGHTS OUT
|
|
FRONTISPIECE
(CARVE YOUR INTITIALS...)
|
TREEHOUSE
|
POOL (HONOLULU)
|
|
CROWN
|
SUMMER READING
(study)
|
CHRISTINA'S WORLD
(THE DAY I MET ANDREW WYETH)
|
|
SHIP OF COOLS
|
EL MUNDO NUEVO
|
DO THE MATH
|
|
SHORE
|
SCENIC ROUTE
|
DEPTH
|
| Around
2015 . . . |
|
GO TO FULL YEAR-BY-YEAR
PAINTING PAGES |
|
ZEITGEIST
|
WE HAVE ALL
WAXED AND WANED
|
FACE IT, MADAM DIRECTOR
|
|
HITCH
|
GETTY, GET READY
|
SUBTITLE
|
|
OUR TOWN
(THE OLD COLONIAL)
|
THIS TIME AROUND
|
BRUCE NAUMAN:
SIXPACT (MUSE / MUSEUM)
|
|
ANTINOUS ET HADRIAN, EMPEROR
(MUSE / MUSEUM)
|
ON THE GROUND
(MUSE / MUSEUM)
|
DRAWING FROM TATTOO DETOUR 10
|
|
SPUNK & WACK,
EMERGING CURATORS
|
CERTIFICATE OF HAPPINESS
|
THE WRITING ON THE WALL
|
|
DRAWING FROM TATTOO DETOUR 9
DENNIS THE MENACE IN HONOLULU
|
DRAWING FROM TATTOO DETOUR 9
DENNIS THE MENACE IN HONOLULU
|
DRAWING FROM TATTOO DETOUR 7
|
|
CHAPBOOK
|
MORE
|
YOUR TURN
|
|
SWITCH
|
WINNER (THAT WORD)
|
FLAT
|
|
THE ENDURING THEMES
|
I WANT TO LIVE... HERE !
|
THE MYSTERIOUSLY ABANDONED NEW
MAN
|
|
CROWN HALL
|
DRAWING FROM TATTOO DETOUR 7
|
THRESHOLD
|
|
GRANT WOOD AMERICAN
GOTHIC
(MUSE / MUSEUM)
|
JULES BRETON:SONG
OF THE LARK
(MUSE / MUSEUM)
|
IN THE FOREST PRESERVES
|
| Around
2010 . . . |
|
GO TO FULL YEAR-BY-YEAR
PAINTING PAGES |
|
SING
|
THE DISCOVERY OF HONOLULU
|
BANK SHOT
|
|
LAZY AFTERNOON
|
NOW AND THEN
|
DAY JOB FOR THE
NIGHT SKY
|
|
SAP
|
ED RUSCHA
(B)USTED (GL)ASS
(MUSE / MUSEUM) |
PROMISES PROMISES
|
|
WAITING FOR INSTRUCTIONS
|
DRAWING FROM TATTOO DETOUR 6
|
DRAWING FROM TATTOO DETOUR 6
|
|
VAST, YET STILL
|
BANK
|
BASE
|
|
DRAWING FROM TATTOO DETOUR 4
|
DRAWING FROM TATTOO DETOUR 5
|
DRAWING FROM TATTOO DETOUR 4
|
|
THE MODEL SON
|
LICHTENSTEIN
GIRLS
(MUSE / MUSEUM )
|
MILK & COOKIES
|
|
TIME TO GO
|
DONALD JUDD (MUSE / MUSEUM)
|
EDWARD HOPPER IN PARIS |
| Around
2005--2001 . . . |
|
GO TO FULL YEAR-BY-YEAR
PAINTING PAGES |
SIX PACK |
REMBRANDT
MUSE / MUSEUM
|
SCRIPT
|
|
DRAWING FROM TATTOO DETOUR 1
|
MODERN PHAT
|
DRAWING FROM TATTOO DETOUR 3
|
|
MAN GUESSING
|
MILKY WAY
|
LONG BEEN SUSPECTED
|
|
THE TRUE CROSS
|
FROM 2005 CACTUSHEADS
|
FROM 2005 CACTUSHEADS
|
|
FRA ANGELICO'S CELL
|
STAND
|
SHIRTS AND SKINS
|
|
A TASK AS OLD AS THE WORLD
|
SWEAT |
TWIN
|
|
MOBY DICK
|
PARADISE |
Untitled (Niagara) (#25)
|
| 2001
and earlier... |
|
GO TO FULL YEAR-BY-YEAR
PAINTING PAGES |
|
THE PERIPHERY OF NEVER
|
THE FALL OF SYNONYM |
UNTITLED COLLAGE
from DRAWINGS page
|
|
CAST OFF THE LIFEBOATS
|
HOLY CARD
|
SPANISH MOSS:
AN EFFIGY OF THE SOUTH
|
|
ROWING NOT DRIFTING
|
REPORTS OF A SLIDE
|
ENVELOPE
|
|
WESWARD, HO! (ENCYCLOPEDIA)
|
DEAD RECKONING (NAVIGATION) |
THE SINK, ROME
|
|
BOATS
|
SHALLOW HOME
|
HARBINGER
|
|
RETABLO
|
TODAY I DROVE ALONG THE RIO GRANDE
|
REGRET (MOON)
X
|
